Mozart: Die Zauberflöte (2-DVD) – Mauro Peter, Christiane Karg
Price: $39.00 Members: $35.10
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Item: 814337014971
Description
Mozart: Die Zauberflöte (2-DVD) – Mauro Peter, Christiane Karg
Composer: Wolfgang Amadeus Mozart
Artists: Matthias Goerne, Mauro Peter, Albina Shagimuratova, Christiane Karg, Adam Plachetka, Maria Nazarova, Michael Porter, Klaus Maria Brandauer, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
Conductor: Constantinos Carydis
Director: Lydia Steier
Format: NTSC
Language: German
Subtitles: German, English, French, Japanese, Korean
Region: All Regions
Number of Discs: 2
Studio: C Major
DVD Release Date: June 21, 2019
Run Time: 144 minutes
Mozart’s timeless masterpiece at the Salzburg Festival is always an event! Especially when Die Zauberflöte (The Magic Flute) receives such a “spectacular and virtuosic staging” (Le Figaro) by director Lydia Steier.
Steier introduces the role of the grandfather, a narrator reading the opera like a fairy tale to his three grandchildren, performed by the famous actor Klaus Maria Brandauer (Out of Africa, James Bond).
This trick, in combination with the gigantic moveable sets by stage designer Katharina Schlipf, allows new views on Mozart’s magical opera, with its different worlds.
Thanks to conductor Constantinos Carydis, who “seems to breathe with the music” (Tagesspiegel), there is a new Mozart to be heard too: Carydis draws “precise phrasing and plenty of crisp articulation” (Financial Times) from “the musicians of the great Vienna Philharmonic” (New York Times).
History
WOLFGANG AMADEUS MOZART
Die Zauberflöte
Premiere: Freihaus-Theater auf der Wieden, Vienna, 1791. Die Zauberflöte—a sublime fairy tale that moves freely between earthy comedy and noble mysticism—was written for a theater located just outside Vienna with the clear intention of appealing to audiences from all walks of life. The story is told in a singspiel (“song-play”) format characterized by separate musical numbers connected by dialogue and stage activity, an excellent structure for navigating the diverse moods, ranging from solemn to lighthearted, of the story and score. The composer and the librettist were both Freemasons—the fraternal order whose membership is held together by shared moral and metaphysical ideals—and Masonic imagery is used throughout the work. The story, however, is as universal as any fairy tale.
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