Fruits of the Cross (Hardcover)

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Description

Fruits of the Cross (Hardcover)

In this first detailed study of seventeenth-century sepolcri—sacred operas written for court performance on Holy Thursday and Good Friday—Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, in which music and ritual combined on the stage to produce a thoroughly original art form based on devotion to Christ’s Tomb. Through the use of allegorical characters, the musical dramas ranged from the devotionally intense, to the theologically complex, to the ugly anti-Jewish, but played a unique role in making Passion piety relevant to wider cultural concerns.

Fruits of the Cross suggests that understanding the sepolcri has implications for the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding.

  • Hardcover: 264 pages
  • Publisher: University of California Press; First edition (November 27, 2018)
  • Language: English
  • Product Dimensions: 6 x 0.2 x 9 inches

History

Music Notes

Most Western music is based on a system of notation that evolved around 1600 out of earlier practices. The starting point for any opera is the full score, which contains all individual voices and instruments arranged in a specific order on the page. The written music—representing the sounds a composer creates in his head—then comes to life performed by singers onstage and played by the orchestra.

 

 

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