Die Walküre (4 CD)

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Description

Die Walküre (4 CD)

Launched by its prologue Das Rheingold, Der Ring des Nibelungen (The Ring of the Nibelung) - one of the supreme works in the history of music - continues with Die Walküre. Part II of the tetralogy centres on the young lovers Siegmund and Sieglinde, whose relationship angers Ficka, goddess of marriage, and on the disobedience of the Valkyrie Brünnhilde who is sent to carry out Fricka’s wishes. Performed by an all-star international cast, the work features thrilling set-pieces such as Wotan’s Farewell and the Ride of the Valkyries.

Stuart Skelton (Artist), Karen Foster (Artist), Laura Nykänen (Artist), Petra Lang (Artist), Falk Struckmann (Artist)
Orchestra: Hong Kong Philharmonic Orchestra
Conductor: Jaap van Zweden
Composer: Richard Wagner
Audio CD (November 11, 2016)
Number of Discs: 4



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History

Die Walküre

Die Walküre (The Valkyrie) composed between 1851-1856 is the second opera in Richard Wagner’s Ring Cycle. The four operas in the series include Das Rheingold (The Rhinegold), Die Walküre (The Valkyrie), Siegfried and Götterdämmerung (Twilight of the Gods).

This opera has long stood on its own as a masterpiece of extraordinary powerful theater. Part of its appeal lies in its focus on many of the Ring’s most interesting characters, who follow their destinies to some of Wagner’s most remarkable music.

In this three-act opera, Wotan, the ruler of the gods, has nine daughters, each born from one of nine goddesses. They are the Valkyrie, outfitted in the iconic steel helmets, spears and shields tasked with selecting brave soldiers, who have died on the battlefield and bringing them to Valhalla, the castle of the gods.

In Act 2, Brünnhilde, the heroine of the Ring Cycle, appears and sings “Ho, yo, to ho!” her famous battle cry. The prelude “Ride of the Valkyries” in Act 3 is perhaps the most famous in Wagner’s operas.

The Met’s production of Die Walküre in its 2018–19 season featured minimal otherworldly landscapes with digital imagery to achieve a modern interpretation of the composer’s masterpiece.

It was performed, as a single opera, at the National Theatre Munich on June 26,1870, and received its first performance as part of the Ring Cycle at he Bayreuth Festspielhaus on August 14,1876.

The Met’s landmark production, directed by Robert Lepage, premiered over the course of the 2010–11 and 2011–12 seasons. The DVD release of its Live in HD presentation won the 2013 Grammy Award for Best Opera Recording.

 

 

 

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