Thomas Adès: Full of Noises (Hardcover)

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Thomas Adès: Full of Noises (Hardcover)
By Thomas Adès & Tom Service

Thomas Adès: Full of Noises is an unprecedented glimpse into the creative mind and influences of one of the most intriguing and successful contemporary composers and conductors, whose work is performed by great opera companies, symphony orchestras, chamber groups, and music festivals throughout the world.

But Adès has resisted public discussion of the creative process behind his musical compositions. Until now, the interior experience that has fired the spectrum of his work -- from his first opera, Powder Her Face, to his masterpiece The Tempest and his acclaimed orchestral works Asyla and Tevot -- has largely remained unexplained. Here, in spirited, intimate, and at times, contentious conversations with the distinguished music critic Tom Service, Adès opens up about his work.

“For Adès, whose literary and artistic sensibilities are nearly as refined and virtuosic as his musical instincts,” writes Service, “inhabiting the different territory of words rather than notes offers a chance to search out new creative correspondences, to open doors -- a phrase he often uses -- into new ways of thinking in and about music.”

The phrase “full of noises,” from Caliban’s speech in The Tempest, refers both to the sounds “swirling around” Adès’s head that are transmuted into music and to the vast array of his musical influences -- from Sephardic folk music, to 1980s electronica, to Adès’s passion for Beethoven and Janácek and his equally visceral dislike of Wagner. It also suggests “the creative friction” essential to any authentic dialogue.

  • Hardcover: 208 pages
  • Publisher: Farrar, Straus and Giroux (October 16, 2012)
  • Dimensions: 5.9” W x 0.8” D x 8.6” H

 



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History

Music Notes

Most Western music is based on a system of notation that evolved around 1600 out of earlier practices. The starting point for any opera is the full score, which contains all individual voices and instruments arranged in a specific order on the page. The written music—representing the sounds a composer creates in his head—then comes to life performed by singers onstage and played by the orchestra.

 

 

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