Silver Flap Clutch with Micro-Cut Crystals

Price: $120.00 / $60.00 Members: $54.00

color: SILVER

Item: 10067965


Silver Flap Clutch with Micro-Cut Crystals

This sparkling silver evening clutch is hand-beaded with micro-cut crystals. A magnetic closure clicks into place, allowing easy access. Lined in black poly-silk, it has an interior open slit pocket and accommodates personal items, such as keys, cards and cell phones.

Can be carried by hand or worn over the shoulder with a 12” long tuck-in chain for versatility. Measures 9 ½” wide x ¾” deep x 5” high.

Reminiscent of the glamorous evening attire designed for the dinner party guests in the Met’s surreal production of Thomas Adès’s The Exterminating Angel.

  • Silver
  • Micro-cut crystals
  • 9 ½” W x ¾” D x 5” H
  • Black poly-satin lining
  • Interior open slit pocket
  • Magnetic closure
  • Tuck-in chain 12” L
  • Beaded by hand


Read More


The Exterminating Angel

The Exterminating Angel, written by British composer, Thomas Adès, is an English-language, three-act opera based on Luis Bunuel’s 1962 film by the same name.

The opera is set in Spain at a posh dinner party in a lavish mansion, from which the guests find themselves strangely unable to leave.

Of special note in the Met’s production are the live woolly sheep, which appear onstage, followed shortly by a bear, all intended as entertainment for the party.

The modern score features familiar orchestral instruments, teeny-tiny violins, slamming doors, clanging rocks, a rattle with bottle caps, cowbells, a salad bowl and an ondes martenot for the eerie sound that is more or less the theme of the title character.

The role of Leticia required soprano Audrey Luna to sing an A above high C, which is the highest documented sung note in the history of the Metropolitan Opera.

The opera, Adès' third, was a joint commission between the Salzburg Festival, The Royal Opera House, Covent Garden, the Metropolitan Opera and the Royal Danish Opera.

The Exterminating Angel received its world premiere July 28, 2016, at the Haus für Mozart, Salzburg. Most recently, it was staged during the Met’s 2017-18 season.





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