“Liquid Assets” Decanter (32 oz.)

Price: $56.00 / $33.60 Members: $30.24




“Liquid Assets” Decanter (32 oz.)

This handsome clear glass decanter is a contemporary revision
of a timeless design. Featuring the double entendre, “Liquid Assets” inscribed in gold on one side, it is trimmed in gold around
the lip of the container and comes with a ball-shaped, glass stopper.
Measuring 3.5 W x 3.5 D x 10.5 H inches it holds 32 ounces.
Food safe. Wash by hand only. Not microwave safe.

It is reflective of the decadent dinner party scene from which the guests cannot escape in the Met’s production of Thomas Ades’s surreal opera, The Exterminating Angel. 

  • Glass with gold accents
  • Food safe
  • Hand wash only
  • Not microwave safe
  • Does not come in a decorative box
  • Holds 32 oz.
  • Designed in USA
  • Does not come in decorative box
  • 3.5” W x 3.5” D x 10.5” H


The Exterminating Angel

The Exterminating Angel, written by British composer, Thomas Adès, is an English-language, three-act opera based on Luis Bunuel’s 1962 film by the same name.

The opera is set in Spain at a posh dinner party in a lavish mansion, from which the guests find themselves strangely unable to leave.

Of special note in the Met’s production are the live woolly sheep, which appear onstage, followed shortly by a bear, all intended as entertainment for the party.

The modern score features familiar orchestral instruments, teeny-tiny violins, slamming doors, clanging rocks, a rattle with bottle caps, cowbells, a salad bowl and an ondes martenot for the eerie sound that is more or less the theme of the title character.

The role of Leticia required soprano Audrey Luna to sing an A above high C, which is the highest documented sung note in the history of the Metropolitan Opera.

The opera, Adès' third, was a joint commission between the Salzburg Festival, The Royal Opera House, Covent Garden, the Metropolitan Opera and the Royal Danish Opera.

The Exterminating Angel received its world premiere July 28, 2016, at the Haus für Mozart, Salzburg. Most recently, it was staged during the Met’s 2017-18 season.





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