CONTACT US(212) 501-3482

Home / For the Home / Framed Art / Lawrence Tibbett - Signed Photo in Pagliacci (Item# 10065129 )

Lawrence Tibbett - Signed Photo in Pagliacci

Item# 10065129

Lawrence Tibbett - Signed Photo in Pagliacci

Star American baritone (2896-1960), beautiful signed photo, shown as Tonio in Pagliacci - one of his most famous roles.


Cavalleria Rusticana & Pagliacci
Two tales of passion jealousy, and death set in southern Italy, Cav/Pag have been all but inseparable on the opera stages of the world since the Met first presented them as a double bill in 1893. The overwhelming success of Cavalleria was crucial in launching the verismo movement, inspiring other composers (including Leoncavallo) to turn to stories and characters from real life, and often from society’s grungier elements.

Cavalleria Rusticana, World premiere: Teatro Costanzi, Rome, 1890. Met company premiere: Chicago (on tour), December 4, 1891.

Pagliacci, World premiere: Teatro dal Verme, Milan, 1892. Met premiere: December 11, 1893.

Pietro Mascagni (1863–1945) and Ruggero Leoncavallo (1857–1919) both had substantial operatic careers but were never able to repeat the success of their two youthful hits. Leoncavallo’s setting of La Bohème (which premiered a year after Puccini’s version) is occasionally seen on stage.

The setting of Cavalleria Rusticana in a Sicilian village is not merely picturesque. The village is, in a sense, a character in the opera—a crude place, untouched by modernity, close to nature’s cycles of life and death and the primitive human rituals associated with them. Pagliacci is originally set in Calabria, the Italian mainland region closest to Sicily. In the Met’s production, the action takes place in the same village across two generations, with Cavalleria set in 1900 and Pagliacci set in 1949.

Met History
The Met was the first opera company to present Cavalleria Rusticana and Pagliacci as a double bill. The program for that notable 1893 performance shows that the now standard order was reversed. While today the operas are rarely performed separately, there have been other intriguing pairings in Met history. The two works individually shared the stage with, among others, Il Barbiere di Siviglia, Lucia di Lammermoor, La Fille du Régiment, Il Trovatore, Rigoletto, La Bohème, Rimsky-Korsakov’s Le Coq d’Or, and even Humperdinck’s Hansel and Gretel.


You might also like......