Dance Class IV, Music for Barre & Centre (CD)

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Item: 1000005051


Dance Class IV, Music for Barre & Centre (CD)

This CD combines the artistry of Whit Kellogg and Antoinette Peloso in a diverse repertoire arranged for the ballet class. Entries for barre & centre can be interchanged and used for combinations other than those designated on the disc. This CD features longer tracks with no repeats. It is hoped that the selections will be an inspiration to teachers and students alike.

1. Plie, L. Minkus, La Bayadere
2. Tendu I, Handel, Water Music
3. Tendu II, Liszt, Hungarian Rhapsody 2
4. Tendu III, J. Meyer, A cup of coffee...
5. Tendu or Glisse, Bach, Gavotte
6. Glisse I, Bach, Prelude in C#
7. Glisse II, Verdi, Rigoletto
8. Pas de Cheval, L. Anderson, Blue Tango
9. Rond de jambe a terre, Gliere, The Red Poppy
10. Fondu, Chopin, Mazurka in b minor
11. Frappe, Ellington/ Tatum, Caravan
12. Rond de jambe en l'air, Berlioz, Symphony fantastique/ Les Troyens
13. Petit Battement, Brahms, Paganini Variations
14. Adagio, Rachmaninoff, Piano Concierto 1
15. Grand Battement, Prokofiev, Mercutio's Motif
16. Grand Battement en cloche, L. Anderson, Belle of the Ball
17. Stretch, Verdi, Il Trovatore
18. Temps Lies, Offenbach, Tales of Hoffman
19. Centre Practice, Sousa, Corcoran Cadets
20. Adagio, Bellini, La Sonnambula
21. Pirouette I, Czerny, Etudes
22. Pirouette II, Tchaikovsky, Swan Lake
23. Pirouette III/ Pointe work, Pugni, Esmeralda
24. Pirouette IV, Prokofiev, War and Peace Waltzes
25. Polonaise for jumps or turns, Thomas/ Donizetti, arias
26. Warm-up Jumps, C. Lamb, Bohemia
27. Warm-up Jumps II, Czerny, Oktavenspruenge
28. Petit Allegro I, Berlin, Top Hat
29. Petit Allegro II, Zez Comfrey, Stumbling
30. Petit Allegro III, Verdi, Tarantella
31. Medium Allegro, Mendelssohn, A Midsummers Nights Dream
32. Girls Grand Allegro, Schuhmann, Piano Concerto
33. Boys Grand Allegro, Borodin, Polovetsian Dance
34. Moderato Coda, Verdi, Macbeth
35. Faster Coda, Czerny, Oktaven mit Bravour
36. Boys Variation, Glazunov, Raymonda
37. Reverence, Tchaikovsky, Swan Lake

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In classic or contemporary ballet, dancing may tell a story, express a mood, or simply reflect the music in movement. Ballet as part of staged performances originated in the Italian Renaissance courts of the 15th and 16th centuries and from there spread to France. The creation of classical ballet as we know it today occurred during the reign of the art-loving French king Louis XIV in the mid-17th century. During the Romantic era, ballet technique evolved to express new ideas, most notably with women dancing en point, or on their toes, allowing them to appear weightless and otherworldly.
Among the choreographers who helped bring ballet into the modern age by exploring new visual and dramatic styles are George Balanchine, Antony Tudor and—bridging the worlds of classical dance and Broadway—Agnes de Mille and Jerome Robbins.



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